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le Carré Backstory

When The Tailor of Panama was released in 1996, le Carré came to the States and told this story at a talk at the 92nd St. Y about how he created the character Alec Leamas:

I was sitting at the bar of the departure lounge in London airport — flights were delayed — when an Englishman of about 40 with a drained, travelled face appeared beside me and ordered himself a large Scotch, neat, no ice. Spotty fawn raincoat, scuffed suede shoes, a bronzed, beat-up face, dog-tired, dark Celtic eyes. Officer-class, as we used to say in those days, and a soldier’s back despite the hunched shoulders. It wasn’t till he came to pay for his Scotch that I knew I’d found him. He dug a hand in his raincoat pocket, slammed a bunch of loose change on the counter, and barked “help yourself” like a challenge at the barman. The coins were in half-a-dozen different European currencies: French francs, Deutschmarks, Lire, whatever. Far too many. The barman thought of quarrelling, then changed his mind, in my opinion wisely, and instead set to work quietly sorting his way through the coins until he had what he needed. By the time he’d finished, my sharer had drunk off his Scotch in a couple of gulps and without a word swung away, leaving the change on the counter. And for all I shall ever know, he was just a weary travelling salesman down on his luck. But for me he was Alec Leamas, a burnt-out British Intelligence agent who had just seen the last of his East German spies shot down at the newly erected Berlin Wall.  

It's a great story and as great stories go, it's still getting worked. I was fairly well unimpressed with The Tailor of Panama, but according to an article mentioned in Wikipedia, le Carré says that was one of his best. What do I know. I'm saving the old Cold War books for my kids though. My personal favorites are The Spy Who Came in From the Cold, The Looking Glass War, and A Small Town in Germany, all published in the sixties. le Carré says that The Looking Glass War is the most realistic he's written about the intelligence world. Although my memory is freshest of The Spy Who Came in From the Cold, probably because of the film, I seem to recall these books being particularly downcast and gritty instead of sensationalist and heroic, firmly setting themselves in the era as part of it's history at its height.

There's more backstory from le Carré at the Times and as well as another great story about a Russian mafia boss.
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